6 Channel HD video and 64 analog audio channels for NLE Recording using MADI workflow 6-channel Recording for NLE. Codec DVC Pro HD. Sandy Digital Audio Option uses MADI interface. 64 mono audio channels 48kHz 16bit. All audio signals go to Yamaha LS9-32 digital mixing console with MY-16 MADI option connected via coaxial cable to BNC input of Sandy option. Black Burst signal from Evertz MC 5601 Master Clock Generator is used for synchronizing cameras. Video and audio are synchronized by WordClock. 6 Channel HD video and 64 analog audio channels
6 Channel HD video and 64 analog audio channels.pdf
6 Channel HD and 8 Analog Audio Recording for NLE using RME OctaMic II Analog to AES/EBU converter and GVG ADVC G4 as reference 6-channel Recording for NLE. Codec DVC Pro HD. 8 analog mono audio channels converted to AES by RME OctaMic II 8-Channel 48 kHz 16 bit converter. Synchronization by AVDC G4. 6 Channel HD and 8 Analog Audio Recording
6 Channel HD and 8 Analog Audio Recording.pdf
4 Channel HD video and 36 Audio Сhannels Recording for NLE. Analog to AES and Analog to MADI converters are used. Recording of 4 channels of HD video and 36 analog audio channels for NLE. Synchronization is by GenLock Generator signals applied to cameras and Analog to AES converter, AJA ADA4. Converter generates AES11 signal synchronized with Black Burst. AES11 is used for synchronizing RME M-32 AD. 4 analog audio channels are received by AJA ADA4 and converted to digital signal AES/EBU applied to AES/EBU input of Simple R 442. 32 analog audio mono channels are converted by RME M-32 to MADI digital signal which is applied via coax cable to MADI input of Sandy option. 4 Channel HD video and 36 Audio Сhannels Recording
4 Channel HD video and 36 Audio Сhannels Recording.pdf
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